Painting

Inner Sanctuary, pastel- Gouache on paper, 7.5x13.5" $40 no frame

Story: It represents a psychological space within an individual’s psychea "container" for emotions and memories, offering comfort and authenticity, often linked to nurturing the inner child. 

Life and dream, acrylic and collage on canvas, 20x16", $400

Story: In Turkic mythology, the dragon is a revered guardian a symbol of protection and the continuity of life. Though its appearance may be formidable, it serves as a profound reminder that appearances are often deceiving. This majestic figure permeates my culture, most notably in the Azerbaijani verni carpets, where every woven dragon carries a story of immense value. Paired with the bird a symbol of luck, spirituality, and freedom this piece explores the balance between the powerful guardians of our heritage and the soaring aspirations of the soul. 

Oba (face of moon), colored pencil- watercolor-collage on paper, used vintage 70 years old fabric, 24x18" $400

Story: While the traditional Oba lifestyle has become a rarity in the modern world, it remains a cornerstone of Turkic identity, embodying the spirit of community, nomadism, and deep ancestral roots. This work celebrates those ties through celestial motifs: the crescent, star, and sun. These ancient symbols rooted in Central Asian shamanistic traditions represent more than just the sky; they are enduring emblems of divine power, eternity, and sovereign grace. 

Nomadic Shahsevan , colored pencil- watercolor-collage on paper, 20x12" $500

Story: The Shahsevan women are the heartbeat of their nomadic pastoralist society in northwestern Iran. Beyond their essential roles in the tribal economy—from animal husbandry to the traditional baking of bread—they are master artisans. Their heritage is woven into the intricate, vibrant flat-woven rugs and blankets that form a bride’s sacred trousseau. This artwork captures their striking presence, adorned in characteristic brightly colored skirts and waistcoats shimmering with coins and tinsel—a celebration of a lifestyle where art and daily life are one. 

Inner energy 1, Gouache -ink,10x10"

Inner energy 2, Gouache -ink,

10x10"

Inner energy 3, Gouache -ink,10x10"

King, collage acrylic-pastel on paper, 15x20"

Vase, collage - acrylic -marbled, 15x20"  

God (Allah), pastel- watercolor on paper, 11x18" $100

Bride (gelin), acrylic-marble tech, 19x27", gift

Story:  In Turkic culture, a Gelin (bride) represents a pivotal transition, signifying a woman who "comes" to join a new family. In some Anatolian folk tales, a "Gelin" can be a supernatural figure. 

Khatun. pastel and acrylic on paper, 15x24"

Story: In Turkic culture, the king was historically referred to as Khagan (emperor) or Khan (ruler), symbolizing absolute authority derived from the sky god (Tengri). These nomadic rulers, who pioneered the title from the 6th-century Göktürks, commanded expansive steppes, held the sacred power of kut, and were often accompanied by a queen known as a Khatun. 

Woman in history, oil painting, 16x20" gift

Story:  Throughout history, women have navigated complex societal structures as wives, neighbors, and friends. In many cultures, they also endured the harshest of circumstances, such as the plight of enslaved concubines. Yet, despite these systemic pressures, women frequently rose to positions of absolute power as Queens and Sovereigns. 

Forest, watercolor-acrylic on paper, 12x18", sold

Story: In Turkic culture, forests are revered as sacred, mystical spaces deeply tied to mythology, the "Tree of Life", and the spirit world, often serving as a bridge between earth and sky. While sometimes viewed in folklore as mysterious places harboring spirits, they are generally protected as part of the "Yer-Su" (Earth-Water) sacred landscape, reflecting a respectful, balanced relationship with nature. 

Shaman (Kam), acrylic on paper, 20x24", sold

Story: A Kam (or Qam) is a traditional shaman in Turkic culture, serving as a spiritual leader, healer, and mediator between the human world, nature, and the spirit realm. Deeply rooted in Tengrism, Kams found among Central Asian and Siberian Turkic peoples conduct rituals using drums to enter ecstatic trances, aiming to restore balance and provide guidance. 

Harem, pastel on paper, 19x27", sold

Story: The Harem was far more than a secluded residence for a dynasty’s women—from queen mothers to concubines. It stood as a vital social pillar and a hidden engine of power, where courtly intrigue and political influence shaped the course of history from behind private walls. 

Evileyes, acrylic, 12x12"

Story:The evil eye, known as nazar in Turkish culture, is a deeply rooted belief in a curse caused by envy or jealous admiration, capable of bringing misfortune or illness. To combat this, Turks use the nazar boncuğu (a blue glass eye-shaped amulet) to absorb negative energy, reflecting a tradition combining pre-Islamic beliefs with modern customs. 

Ghost, acrylic, 20x28", sold

Story: In Turkic culture, ghosts are primarily understood as restless souls or spirits of the dead, often called Kormos or Körmös, inhabiting the underworld or roaming Earth. Rooted in shamanistic and Tengrist traditions, these spirits can be malevolent "blind" spirits controlled by Erlik (underworld deity) or ancestral spirits, sometimes linked to "Hortlak" (ghostly, reanimated dead). 

Death of a swan, print nad collage on paper, 8.5x11", sold

Story:  In Turkic mythology, the swan is revered as a sacred being, often seen as a celestial messenger or the physical manifestation of a woman’s soul. Its death is not merely an end, but a profound spiritual transition. Legend tells of shamans and ancestors taking the form of these elegant birds to travel between worlds; thus, the "Death of a Swan" symbolizes the soul’s departure from the earthly realm and its return to the divine heavens from which it descended. 

Baby, pastel-acrylic, 7.5x17", gift

Story: In Turkic culture, babies are revered as blessings, bringing joy, abundance, and increased strength to the family. Key traditions include the "kırk uçurma" (forty days) ritual, protecting the newborn from evil spirits (Alkarısı) with symbols like the evil eye, and celebrating birth with significant social attention to both child and mother. 

Ansecter, pastel-acrylic, 7.5x15", gift

Story: Ancient Turkic religion included a strong ancestor cult focusing on legendary warriors and leaders, creating a direct link between God, the ruler, and the state. Ancestor worship was often considered more tangible than worshipping unseen gods, as ancestors were recognized as creators of the present existence, with their legacies passed down through generations. 

Totem, acrylic- collage on canvas, 13x18", sold

Story:In Turkic culture and mythology, the concept of a "human totem" is deeply intertwined with ancestor worship, the shamanic belief system of Tengrism, and the veneration of the gray wolf (Bozkurt/Asena) as a progenitor. While many Turkic totems are animal-based, they are viewed as ancestors, patrons, and spiritual guardians that define the human group's identity.